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JFF Classics

Films from the first decade of the JFF

Founded in 1984, the Jerusalem Film Festival is celebrating its 40th anniversary. And what better way to celebrate this occasion than by looking back at previous editions? Reviewing the catalogues from past editions is a thrilling experience. It allows us to glance at the changes that have taken place in the seventh art over the years – the styles that have evolved, the trends that perhaps flourished in their day and have now waned, and quite a few cinematic achievements that were ahead of their time.

The JFF has always excelled at highlighting new and promising voices. Its various editions screened first features by then-unknown Jim Jarmusch, Wong Kar-wai, Bong Joon-ho, Quentin Tarantino, Nuri Bilge Ceylan, and Spike Lee to name a few. At the same time, the festival has always made sure to dedicate extensive programs to classic cinema and to restored prints.

In honor of this celebration, we've created a program of 40 films from various editions of the Jerusalem Film Festival. The task of selecting the films was entrusted to Ava Cahen, Artistic Director of the Cannes Critics' Week, Noa Regev, CEO of the Israel Film Fund (who was heading the Jerusalem Film Center for a decade), Roni Mahadav-Levin, Executive Director of the Jerusalem Film Center, and the JFF Artistic Director, Elad Samorzik. Thus, one film was chosen from each year, from 1984 to the present.

The 40th edition of our festival is now proud to screen the films of the first decade, all in newly restored digital prints. 

Amazing Grace

Dir.: Amos Guttman
| 99 minutes

Young Jonathan moves to the city, but can’t find happiness. He meets the older Thomas, who recently returned from years abroad and is hiding the fact he’s been diagnosed with AIDS. The two develop a tender relationship, yet only one of them knows that their time together is about to run out. A special digital copy of Amos Guttman’s final masterpiece newly-restored by the Israel Film Archive - Jerusalem Cinematheque, in collaboration with the Israel Film Fund and Mifal HaPais Council for the Culture and Arts.

The Long Farewell

Dir.: Kira Muratova
| 97 minutes

Young Sacha dreams of escaping from the stifling grip of his mother whose husband has left. Sacha plans to join his father, an archaeologist working in the Caucasus. Kira Muratova’s film was made in 1971, but it was put on a shelf and was only released to the screens in 1987 during the period of Perestroika.

Max My Love

Dir.: Nagisa Ôshima
| 98 minutes

Margaret, the wife of a British diplomat in Paris, is keeping a secret. She’s having an affair—with a chimpanzee. After her husband catches the two of them in flagrante delicto, he proposes that Max the chimp come live with them. One of Nagisa Ôshima’s later works, starring Charlotte Rampling and Anthony Higgins.

My Own Private Idaho

Dir.: Gus Van Sant, Jr.
| 105 minutes

River Phoenix and Keanu Reeves star in director Gus Van Sant's haunting tale of two young street hustlers: Mike Waters, a sensitive narcoleptic who dreams of the mother who abandoned him, and Scott Favor, the wayward son of Portland’s mayor and the object of Mike's desire.

Once Upon a Time in America

Dir.: Sergio Leone
| 251 minutes

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan after thirty years, where he must confront the ghosts and regrets of his old life. The unforgettable masterpiece by Sergio Leone starring Robert De Niro and featuring music by Ennio Morricone.

Orlando

Dir.: Sally Potter
| 93 minutes

Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British history, experiencing a variety of lives and relationships along the way, and even changing sex.

Poison

Dir.: Todd Haynes
| 85 minutes

Three stories: A boy shoots his father and flies out the window. A man falls in love with a fellow inmate in prison. A doctor accidentally ingests his experimental sex serum, wreaking havoc on the community. The first feature by Todd Haynes, recipient of the Grand Jury Prize at Sundance.

The Sacrifice

Dir.: Andrei Tarkovsky
| 145 minutes

Tarkovsky’s last film follows a wealthy Swedish family. As they celebrate the birthday of their patriarch Alexander, news of the outbreak of World War III reaches their remote Baltic island. With the end of the world nigh, Alexander turns to God and vows to renounce everything near and dear to him, if the war is averted.

Stranger Than Paradise

Dir.: Jim Jarmusch
| 89 minutes

A New Yorker's life is thrown into a tailspin when his younger cousin visits him by surprise, starting a strange, unpredictable adventure. “A story about America, as seen through the eyes of ‘strangers.’ It's a story about exile (both from one’s country and oneself), and about connections that are just barely missed.” - Jim Jarmusch

Sweetie

Dir.: Jane Campion
| 97 minutes

Jane Campion's stunning debut feature focuses on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, “Sweetie,” and by extension, their entire family's rotten roots. A feast of colorful cinematography and captivating, idiosyncratic characters.

The Thin Blue Line

Dir.: Errol Morris
| 106 minutes

The fascinating and controversial true story of the arrest and conviction of Randall Adams for the murder of a Dallas policeman in 1976. Errol Morris’s documentary is credited with overturning the conviction of Randall Dale Adams for the murder of Dallas police officer Robert Wood, a crime for which Adams was sentenced to death.