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Monthly Screenings

WELCOME to another series of collective dark room screenings, with a harvest of new works witnessing life around us through different lenses, free of creative or commercial constraints.

The Experimental Cinema and Video Art Awards showcases seven visual artists from Israel's most recent films. The competition presents an audacious approach to video art and experimental cinema, interweaving personal and political themes and responding in diverse ways to today's troubled environment. This broad scope of contemporary images reaches far beyond conventional narrative cinema, from rough aesthetics to subtle poetics.

Two prizes will be awarded: The Lia van Leer Award on behalf of Rivka Saker (15,000 NIS) and The Ostrovsky Family Fund Award (12,000 NIS). Big cheers and good luck to the artists: Dan Robert Lahiani, Nitzan Satt, Sevan Smolnik, Tamar Nissim, Ayala Berger, Dylan Joseph, and Thalia Hoffman.

Globe-trotting artist, Irit Batsry, presents MEMORIES OF OTHERS at the Mamuta Art and Research Center. A suite of four video installations explores the materiality of film and memory, questioning obsolete formats and reflecting on oblivion. Prize-winning THESE ARE NOT MY IMAGES (NOT HERE NOT THERE) (2000), the film-essay Batsry directed in India and which won multiple international accolades, will be screened at the Festival, allowing us to revisit the aesthetic, cultural and political questions the film raises nowadays.

CANALE GRANDE (1983) by Viennese artist Friederike Pezold is a satirical mix of video and film, which tries to re-invent television as a personal "closevision," using humorous video pictures      of her own body from video pictures that create a new corporal language. RETURN TO REASON, or "a place that exists ... between consciousness and unconsciousness, between dream and wakefulness, and between reality and the surreal world", resonates through Jim Jarmusch and Logan Carter's visual music and poetics, lending Man Ray a new life 100 years after. Philosopher, writer and activist Paul B. Preciado's ORLANDO, MY POLITICAL BIOGRAPHY, explores gender, identity and new technologies of the body. Taking Virginia Woolf's book as a starting point for his autobiography, Preciado's interpretation is revelatory and spirited, earning the film the Special Jury Prize in Berlin.

Come blow off some steam with these irreverent, feisty artists and their bodies and their works!

The Experimental Cinema and Video Art Competition 2023

76 Minutes
How the Lake became a River - Sevan Smolnik | Verbal Problems - Nitzan Satt | He Who Says No - Tamar Nissim | They All Died - Ayala Berger | Motherland - Dylan Joseph | Riding Out of The Saddle - Dan Robert Lahiani | Permanent Resident - Thalia Hoffman

Canale Grande

Dir.: Friederike Pezold
| 88 minutes

Photographer, performer, video, and installation artist, Friederike Pezold, sees Canale Grande as “a protest against a standardization of the world of images... a call for radical subjectivity.”

“While contemporary in its freshness, the atmospheric cityscapes have a touching time capsule quality.” (DIAGONALE catalogue)

Orlando, My Political Biography

Dir.: Paul B. Preciado
| 98 minutes

In 1928, Virginia Woolf wrote ORLANDO, the first novel to depict a main character who changes its sex in the middle of the story. One century later, trans writer and activist Paul B. Preciado decides to send a cinematic letter to Virginia Woolf. The film garnered four awards at the Berlin Film Festival.

Return To Reason

Dir.: Man Ray
| 70 minutes

Celebrating the 100th anniversary of Man Ray’s first film in 1923, RETURN TO REASON is the first 4K restoration of Man Ray’s four surrealist and dreamlike short films, now accompanied by an exclusive soundtrack composed and performed by filmmaker Jim Jarmusch and musician Carter Logan’s band SQÜRL. RETURN TO REASON dives into Man Ray’s surrealist and dreamlike world. 

 

These are Not My Images (Neither There nor Here)

Dir.: Irit Batsry
| 80 minutes

THESE ARE NOT MY IMAGES (neither there nor here) interweaves elements of different genres (documentary, essay, experimental, narrative), in order to question how we see and show reality. The film follows the voyage of a disillusioned Western filmmaker, accompanied by a half-blind guide and her encounter with a local filmmaker in a skewed "road movie" set in the near future. It evokes the different meanings of "place": a location, a territory, a context, a situation, and a home. It speaks of being at your own place and being (at the place of) another, about identity and alterity, intimacy and distance.