The Experimental Cinema and Video Art Awards 2022
Shortly after artist Dan Robert Lahiani arrived at the 12th floor of the Clal Building for an osteopathic session, his personal quest for connection, home, and healing became entangled with the dilapidated and crumbling building’s angsts, aches, and neglect.
The filmmaker uses watercolor to reconstruct the memories of her father. Together, they go back in time to the year the Yom Kippur War began. The attempt to deal with his memories reveals a gap between the invincible father and one who hides within an unforgotten war and fear of death.
Four scenes from BREAKFAST AT TIFFANY'S were taking apart and filmed again in Mea She’arim, Jerusalem. While sticking to the same storyboard, the work examines the new narrative, following the mechanisms of the local female Orthodox film industry, dealing with questions of glamour and values, gender and forgery, attribution and belonging, within political and socio-cultural systems.
Excerpt: Barik Sale, a refugee from Darfur, fled his home as a child and arrived in Israel alone as a minor. The film tells the story of his escape, and recreates his traumatic journey through audiovisual means, using foley studio recordings and binaural field recordings.
The video shows a failed resuscitation attempt reconstructing a life situation of a conversation that was spoken, of a grandmother I loved.
Memories of women who migrated to Bat Yam are weaved in movement within the urban landscape. The women’s encounter with the city creates a complex portrait, at times painful, at times poetic, with the local body and the local space.
After 80 years, a crowd of animals and people gather in a majestic scene to mourn a dog, who lost his life during the Battle of Haifa in the Al-Kafrayn village by the Occupation forces.